Book Review: The Watkins Tarot Handbook by Naomi Ozaniec

BOOK REVIEW

The Watkins Tarot Handbook: A Practical System of Self-Discovery by Naomi Ozaniec (Watkins, 2022)

In the view of author Naomi Ozaniec, Tarot retains power to enchant and transform practitioners beyond everyday fortune-telling. The images on these cards tap into our human desire to make meaning of life within the extraordinary world and cosmos we inhabit and what might lie beyond. So much in society demands unquestioning adherence to dogma. Serious engagement with Tarot, on the other hand, encourages curiosity, adventure, responsibility, personal growth, and creativity. This stack of cards, so portable, turns out to be a theatrical, ceremonial tool of initiation.

With the practice of Tarot enjoying new popularity and re-imagining these days, British publisher Watkins has republished Ozaniec's 2002 volume, Initiation into The Tarot, originally published by Element Books as The Element Tarot Handbook. It is decidedly not a book of arbitrary, easily digested card interpretations for beginners to memorize. If you're game for learning the more esoteric aspects of Tarot and allied traditions from Qabalah's Tree of Life to Carl Gustav Jung's active imagination, this book offers a wealth of material to explore.

In Tarot's Major Arcana, Ozaniec tells us, we find "the search for transcendence, the pull of matter, the power of love, the quality of wisdom...beginnings and endings, birth, death and resurrection...a philosophy enshrined in pictures." After a brisk run through the history of Tarot's development, she proceeds to introduce us to the Major Arcana as if each archetype were a party guest or a character in an elaborate play or novel. ("Everyone steps aside from him but Death knows all their names.") And, next, we're invited to free-associate their characteristics and functions, an excellent exercise that will initiate our own relationship with each of them. This relationship will strengthen and deepen as it goes.

If you have been around Tarot for some time, you know you never stop learning from it. Although I'm well familiar with much of what Ozaniec outlines here in this section, I noted one tidbit that I will treasure--The Emperor card, she writes, "has also been called the Grandfather." Tremendously helpful and, for me, relevant in a personal way!

We next learn the esoteric names of the Majors--something that a lot of Tarot newbies likely have never encountered and which might seem overly precious or intimidating. No worries. Enjoy the poetry of these names--The World as "Great One of the Night of Time," The Hanged Man as "Spirit of the Mighty Waters"--and you might find some that resonate with you, spark your imagination, and help draw you closer to these archetypes and their energies.

A brief account of the connection of Tarot's four elements to Qabalah's four-part Tetragrammaton (Holy Name of God) leads into another free-association exercise (e.g., "What qualities do you associate with the Element of Air? For example, invisible, all-pervading, formless.") Ozaniec always brings these large concepts back to our personal experience and understanding, reminding us of how much we already know. We can build upon this inherent knowledge at our own pace and through our shared human proclivity for imagery, metaphor, meditation, and storytelling.

Here be gods and angels; flowers and trees employed as symbols in various cultural and spiritual traditions; mythic and actual beasts; landscapes and architecture; the sun, the moon, and the stars as they have bedazzled and inspired us for aeons, and so much more.

"The process of integrating even a single symbol cannot be hurried," Ozaniec advises. "Firstly, it has to be intellectually analysed and recognized in different forms. Secondly, it has to be intuitively explored through free association. Thirdly, it has to be internalized and integrated as a living part of the psyche."

That last part interests me greatly these days--how we might seek Tarot within our very flesh and blood, as authors such as Paul Foster Case and Jung once taught, and let its archetypes think through us and transform us. To that end, Ozaniec's guidance takes us from basic book knowledge to active, rigorous self-discovery, meeting each of us at our current level as well as pointing out exciting new opportunities and challenges along the path. The Watkins Tarot Handbook, therefore, is a book to dive into again and again, surfacing each time with more skill and courage.

-- Eva Yaa Asantewaa, hummingwitch

GET MORE

SUBSCRIBE FOR FREE! 

Get Eva's posts by email. Did I mention it's free? See the subscription box in the right column and never miss another CARD OF THE WEEK/WEEKEND post! 👉

CATCH UP! 

If you missed any of the CARD OF THE WEEK/WEEKEND posts or want to review a post you read, visit my updated list of posts here.

CONTACT ME!

See the "Contact Eva" form in the right column! 👉

CARD OF THE DAY: March 11, 2022

 

The Persona

The Wisdom Well

by Ivarna Kalinkova

 

March 11, 2022: Here's a card from The Wisdom Well, a highly non-traditional oracle deck inspired by the visionary psychoanalytic teachings of Carl Gustav Jung.

With this card, The Persona, Ivarna Kalinkova explores the performative outer self we often show the world. Subject to our willful control, our outer mask obscures the true inner self which, we fear, might not meet with approval or get us what we want or think we need in life.

This Persona has a wonderful image, invoking that moment when a circus clown makes one final check of his/her/their reflection in the dressing room's light-ringed mirror before heading out to the stage.

As our Card of the Day, The Persona suggests we pause to consider if we actually need a disguise or code switch for our protection or advantage--something we may deploy merely out of habit--or if we can afford to greet the situation at hand with courageous authenticity.

Are you facing a legitimate and useful "fake-it-'til-you-make-it" moment? Is it better to shapeshift and blend in for now and do what the Romans do? Or should you bravely show your true face to the world, come what may?

******

Catch up with updated CARD OF THE DAY posts here: https://hummingwitch.blogspot.com/2021/11/a-good-weekend-to-catch-up-with-our.html

"Contact Eva" form to the right! 👉 👉 👉 

Subscribe to get Eva's posts by email! 👉 👉 👉

Deck reviews: Mary-el Tarot, Simply Deep Tarot

The Mary-el Tarot (deck-and-book boxed set)
by Marie White
Schiffer Publishing, Ltd
2012
ISBN: 9780764340611
39.99
Deck: 78 cards(11-3/4 x 6 x 1-7/8)
Book: 192 pp.

Simply Deep Tarot (deck-and-book boxed set)
by Chanel Bayless (art by James Battersby)
Schiffer Publishing, Ltd
2012
ISBN: 9780764339844
24.99
Deck: 78 cards (3-1/4 x 5-1/4)
Book: 96 pp.

reviewed by Eva Yaa Asantewaa, hummingwitch

As I make my way through Marie White's stunning Mary-el Tarot, I feel as if I am in foreign terrain without benefit of language skills. My head spins. My belly feels queasy. The ground seems to slip beneath my less-than-nimble feet. Where am I?

But that's only today.

When I first laid eyes on Mary-el, a few weeks ago, I fell forward with a sense of relief. Oh, my goodness, I'm home! Here was everything I cared about, a language I remembered. Home, home, home!

I believe that both reactions to this unusual Tarot deck are correct and, for all I know, will continue to alternate as I go down the years with Mary-el--for I am sure this deck will stay close at hand for the rest of my days.

White has given us an oracle to shake us to the core but also move us closer to who we are. If there is little that is comfortably familiar here--at least, in terms of conventional Tarot imagery, if not the Arcana's basic archetypal, numerical and elemental breakdown--there is much that the soul will immediately understand. My instinctual and emotional attraction to Mary-el derives from this soul place. My intellectual attraction derives from my past exposure to shamanism, Kabbalah, Jungian psychology (and Carl Jung's Red Book) and similar systems of transformation.

If Rider Waite and its many kin have become too tame in your hands, if airy-fairy imagery looks lovely enough but doesn't quite do it for you, consider the formidable Mary-el. White gave her valuable guidebook, part of this set, the subtitle, "Landscapes of the Abyss," and she reminds us that Nietzsche warned that as you gaze into the abyss, "the abyss gazes also into you." Denizens of these landscapes, rendered in White's compelling art, stand ready to challenge and activate you.

Do you think you know The Fool? How foolish! White's unexpected gambit brings us face to face with a masked, nude man, attended by a swirl of dragons, butterflies and energy, whose risky stumble could be the first step in a long process of liberation and fulfillment. I guarantee you that, if you let this Fool fall into you, things will not get any more soothing.

But fall he must, for this is a Tarot of initiation, best withheld from querents likely to be offended by frontal nudity or those who prefer to stay on the surface of mundane questions. If you're lucky to be reading for anyone who's more game, you could introduce Mary-el a bit at a time. I could see drawing one card from this deck for a powerful overview of a reading based in a more conventional deck. Then again, you could just go for it. Why not?

White concludes her book with a series of suggested layouts: a three-card Daily Reading spread ("Within," "Without" and "Advice"), a Relationship spread, a Yes/No spread, a Past-Life spread and the Tetractys Spread, a ten-card pattern with positions such as "What the Reality is," "Advice from your devil" and "Advice from your angel."

In her guidebook, White deals with heavy and complex material but in the most straightforward way possible. This is an intelligent manual that could stand on its own but, happily, this excellent deck and book stand together.

Wisewoman and provocateur, Marie White is, herself, a chalice holding passion for Tarot, and it has made her a passionate Tarot artist and writer. Add this deck and its guidebook to your list of class acts in Tarot. It is well worth its price--and then some.

If Tarot decks have feelings--and, in all seriousness, some of us veteran readers might have come to wonder this--Chanel Bayless' Simply Deep Tarot might have felt left out as I poured over and ooo-ed and ahh-ed over the more wildly dramatic Mary-el, which had arrived at my door at the same time. If I were a Tarot deck in this situation, I would have worked myself into a huff, repacked myself in my package and shipped myself home to Mother...I mean, home to my publisher! So unfair!

I have to admit that the intense experience of White's art might have spoiled me, at least at first, for James Battersby's sly cartoons. But, really, why shouldn't these more casual images not also speak to something within myself? And it turns out that they do.

Some make me giggle. Some make me sigh. And some also beckon on a journey of wonder. They are for my Inner Kid who does not deserve to be left out of anything.

Today, I will let her swing on the big Star that Battersby has suspended over a pool of water. Tomorrow, she might sit to lunch with the Queen of Coins who has a basket of bread and fruit and the Queen of Cups who will bring a pot of tea. And when the mysterious boatman in the Six of Swords rows her "out to sea"--hah! where did that flowing bathtub faucet come from, James?--I will await the stories of her rich imagination. She's a good sailor and an even better tall-tale teller.

Simply Deep Tarot deck adheres to conventional Tarot structure and Rider Waite nomenclature. Bayless' guidebook--bound like the Mary-el book but in miniature like the much-loathed Little White Books that come with many Tarot decks--starts off by instructing Tarot readers to venture deep into the cards. Bayless says that she sought to offer images that would be simplistic--her word, not mine. She is suspicious of the interference of subconscious emotionalism in readings and advises a familiar chakra-based method of grounding and elevating one's consciousness. She writes that this will help the Tarotist to read with more emotional detachment and clarity.

Personally, I have never found the lower chakras and their filtering of information to be a hindrance or distraction and have never seen the need to circumvent emotional intelligence/information during readings for myself or others.  The solar plexus is the seat of clairsentience and can be safely mined for information and understanding as long as one is the master of one's psychic/intuitive abilities, not suffering at the mercy of them. Moreover, I question how a deck with such charming, animation-like images that could appeal to children could be effective in steering us clear of the realm of human feelings or that Battersby's illustrations line up with the concept of something deep, "simply" or not.

None of these quibbles would prevent me from just--yes, simply--enjoying this deck, looking at a card and, as Bayless suggests, seeing what grabs my attention and what that detail or details might tell me about my question, and allowing a stream of interconnected associations to spill out.  For goodness sake, that's how I do Tarot! I do that with all kinds of decks, and I think it will be fun to do that here with Bayless' and Battersby's creation.

Marie White's Mary-el Web site

Chanel Bayless Web site


(c)2012, Eva Yaa Asantewaa, hummingwitch

James Hillman, 85

James Hillman, Therapist in Men’s Movement, Dies at 85
by Benedict Carey, The New York Times, October 27, 2011

Robert Moss at the dream gate of Jung

Jung's Underworld journey: Not for the timid
by Robert Moss, Beliefnet, October 31, 2010

When you're ready to move beyond Oprah...

The gorgeous, always imaginative Rubin Museum of Art is well into a series of seven Wednesday evening conversations called Tibetan Book of the Dead Book Club in association with its special exhibitions, Bardo: Tibetan Art of the Afterlife and Remember That You Will Die: Death Across Cultures. Each Wednesday, curator Ramon Prats explores the TBD from different perspectives with an expert representing a particular discipline. They inquire: Does the TBD have relevance, wisdom and practical application for us today?

This week, I attended Prats's talk with Jungian psychoanalyst Morgan Stebbins on "The Analysis of Dreams," a topic of perennial relevance. According to Tibetan Buddhist beliefs, dreams will always be relevant as long as humans exist, as long as humans remain unenlightened. Enlightened beings do not dream. They no longer have to, for to dream is to open onto an altered level of awareness in which we come face to face with avoided, unknown or normally inaccessible issues.

Stebbins discussed how Tibetan ideas and traditions around this heightened state of awareness parallels the theories and practices of Carl Gustav Jung. Jung's psychoanalytic approach, he said, represents a journey into the "totality of one's being--the Buddha nature" where one can gain information on unconscious patterns of behavior, insight into so-called symptoms that are actually "symbolic attempts to get to somewhere new." Dreams herald a shift towards liberation.

And the TBD considers this liberation through hearing, as Prats mentioned, in his intriguing introductory remarks. Why hearing, I wondered? One sentence from a TBD passage read later suggested the reason: "So, recognize what I show you without distraction." We are simply too distracted by illusion to get with reality. Like children in school, we have to be brought to attention and made to hear. The Bardo afterlife process, Tibetan Buddhists believe, first brings the soul to that required place of attention and learning before it can move on in its journey. But dreams offer powerful opportunities for growth within our lifetime.

And what of the images of deities of wrath, featured in so much Tibetan art? And what of our own terrifying nightmares?

"Psychologically speaking, nightmares are great news," says Stebbins. "Wake up! Look at this! It has a lot of energy. You have a lot of energy you're not using. Change is scary."

Upcoming TBD Book Club sessions will feature Rabbi Neil Gillman on "The Death of Death" (July 28), Brooklyn Museum curator Edward Bleiberg on "The Egyptian Book of the Dead" (August 11), medium Jesse Bravo on "Channeling the Dead" (August 18) and Roshi Enkyo O'Hara on "How to Die" (August 25)--all at 7pm. Click here for full information and tickets, and promptness--in both ticket purchasing and showing up to get a good seat--is strongly advised.

Rubin Museum of Art

150 West 17th Street (between 6th and 7th Avenues), Manhattan

Directions

Forever Jung

Dreamy Sales of Jung’s ‘Red Book’ Surprises Book Industry
by Motoko Rich, The New York Times, December 24, 2009

Jung's Book of Shadows

Exhibition Review: 'The Red Book of C. G. Jung - Creation of a New Cosmology'
by Edward Rothstein, The New York Times, December 11, 2009

The Holy Grail of the Unconscious

The long-concealed mystery of Carl Gustav Jung’s “Red Book” is about to be revealed. Read The Holy Grail of the Unconscious by Sara Corbett, The New York Times Magazine, September 20, 2009.