Showing posts with label InfiniteBody. Show all posts
Showing posts with label InfiniteBody. Show all posts

Monday, December 8, 2014

New book pays tribute to feminist author Merlin Stone

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Cover of Merlin Stone's When God Was A Woman (1976),
a formative work of the Women's Spirituality movement

Merlin Stone Remembered: Her Life and Works
by David B. Axelrod, Carol F. Thomas, Lenny Schneir and Merlin Stone
(Llewellyn Worldwide, Ltd., 2014; 384 pages)
ISBN: 9780738740911

reviewed by Eva Yaa Asantewaa, hummingwitch
originally posted to InfiniteBody

Merlin Stone's research into ancient Goddess civilizations and spiritual beliefs (as author of When God Was A Woman and Ancient Mirrors of Womanhood) and her prodigious creativity on the feminist scene of the 1970s and '80s, touched the lives of many women and our male allies. When I was a producer and host at WBAI, New York's Pacifica radio station, I interviewed Stone (World Watch: Goddess at Dawn, May 1988) and, in 1990, had the honor of speaking on a panel with her, Spiderwoman Theater's Gloria Miguel and other feminists working in non-mainstream spiritual traditions and the arts. Later, Stone invited me to assist with a new audio project. We began to meet, but our work was interrupted and never completed. In declining health, she passed in the winter of 2011.

We're now at a time when young women often distance themselves from the feminist label; when the public discourse, even among feminist activists, relegates spirituality to oblivion; and when the religious dictates of patriarchy demonstrate their disastrous effects on a civic and global level. I was excited to learn that Llewellyn Worldwide planned to bring out a book on Merlin Stone's life and contributions. Surely, Stone would speak to our condition once again, offering alternative perspectives and motivation.

Merlin Stone Remembered--a rough patchwork assembled by admiring colleagues and family members--is not, by any stretch of the imagination, the book I'd hoped to read. Ideally, that book might be researched and written by an independent scholar, not a committee intent on unnecessarily and redundantly pleading The Case for Merlin Stone's Greatness. It would offer both a deep, detailed, coherent, reasonably objective portrait of this unusual and unusually determined woman, born Marilyn Claire Jacobson in Brooklyn in 1931. It might give us an engaging account of her many travels throughout the Mediterranean and Near East, to the extent that adequate documentation exists, and a professional assessment of her life's work. At least the introduction by noted ecofeminist Dr. Gloria F. Orenstein takes pains to put Stone in the context of other pioneering, if often controversial, authors such as Helen Diner, Monica Sjoo, and Marija Gimbutas.

The book's collaborators take a preemptive tack, defending their inclusion of a memoir by Stone's companion, Leonard ("Lenny") Schneir. A professional poker player and dealer in gambling memorabilia, Schneir lived with Stone for decades, seeing her through her final illness and death. By all accounts, the relationship was a happy one and, for Schneir, instructive and transforming. Apparently, though, the book team ran into some unidentified women's objections to the idea of Schneir adding his story to Merlin Stone Remembered.

I would never take issue with Schneir having a say here merely because he is male. But I suspect that you, like me, might find yourself hurrying through the lengthy, at times self-indulgent narrative about his journey before and with Stone--and, definitely, you will want to move past the poems. Greater care should have been taken with the overall structure and balance of this book.

Schneir's participation is not the book's only flaw, merely one out of many. Throwing together excerpts from Stone's interviews, bits of her published and (perhaps, justifiably) unpublished work, and repetitive essays like David B. Axelrod's "reflection on the poetic genius of Merlin Stone" and another by Schneir with Axelrod, entitled "The Importance of Merlin Stone" argues that this is a case of opportunities not only missed but willfully refused.

Instead of illuminating substance, we get filler: Stone's honorary doctorate certificate from The California Institute of Integral Studies, her birth certificate, pages of photos not selected to add anything to our understanding of the woman. One section reproduces numerous examples of fan mail from her readers, but I doubt that, even in the Internet Age, this author needs Yelp-style testimonials. What follows these letters? Another essay: this time, "The Legacy of Merlin Stone."

Here's how I want to remember Stone: as the woman who, in a talk with Michael Toms, subtly noted a difference between "planetary consciousness" and "planetary conscience." As a white woman troubled by racism, an observer of psyches and societies who saw fear at the root of repression. As a writer, sometimes pedagogic in tone but broadminded in her vision of feminism and of spirituality. A writer whose informed, complex, inspiring work was everything this book is not.

Eva Yaa Asantewaa, hummingwitch
originally posted to InfiniteBody

Friday, March 1, 2013

Let's talk about women and power!

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Happy Women's History Month--though, looking around this country and world, it's clear that we sure have a huge amount of work ahead of us.

I was greatly honored to be selected by my legendary colleague Theresa Reed (The Tarot Lady) for her brand new interview series on women, power and empowerment! I invite you to check out my answers here!

Monday, February 25, 2013

Wicca as somatic healing with dance artist iele paloumpis

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presents


with 

Witchcraft – A Corporeal Practice

March 16 (1:30-3:30pm)

Third Floor Studios 
In Shared Practice workshops, Live Arts season artists share the physical and creative practices behind their work. Each process-focused session provides participants an opportunity to recharge their own artistry by experiencing different approaches to making and moving with similarly-motivated professionals. All classes are held on Saturdays throughout the season at New York Live Arts.
Witchcraft -- A Corporeal Practice
Over the past several months, changes in my health and body have shifted the ways I approach dance and daily life. Without concrete answers from doctors and various bodyworkers, I’ve been looking to Wiccan ritual as a somatic practice of integration, acceptance and healing. I’ve also been thinking a lot about how all bodies - whether elderly, disabled, or otherwise "different" - can enter into dance. For this Shared Practice, we will look to magical herbs, astrology and the lunar calendar, as well as our own unique and defiant bodies, to generate restorative movement. Come with an awareness of something you might like to shed, heal and/or embrace.
--iele paloumpis 
$15/class. Class size is limited. Advance purchase is recommended to guarantee a spot. Click here.

New York Live Arts
219 West 19th Street (between 7th and 8th Avenues), Manhattan
(map/directions)

Sunday, October 9, 2011

The revolution will be playful!

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Raising the level (c)2011, Eva Yaa Asantewaa
hummingwitch and InfiniteBody blogs support Occupy Wall Street.

Check InfiniteBody blog for future announcements from OWS' Arts and Culture working group.

To see more of my photos from yesterday's OWS demonstration at Washington Square Park, click here.

Why Occupy Wall Street? Visit We are the 99 Percent and see.

Tuesday, July 20, 2010

Toni Bernhard offers a practice for life

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I've had the great fortune to be introduced to Toni Bernhard, author of How to Be Sick: A Buddhist-Inspired Guide for the Chronically Ill and Their Caregivers, scheduled for publication in September (Wisdom Publications). In this lovely, informative volume, Bernhard tells of how she suddenly fell ill in the spring of 2001 while vacationing in Paris with her husband. What at first felt like a tenacious, energy-sapping flu was, in fact, a far more serious viral infection that would make it impossible for her to resume life as she'd known it. The university law professor with a treasured marriage and family soon found herself unable to work, shop, travel, meditate or even enjoy the visits of loved ones without a flare-up of debilitating symptoms.

Bernhard remains ill today, usually confined to her bed. Her book describes how she came to apply her longstanding Buddhist practice to this new reality and to the feelings of frustration, grief and envy of other people's freedom that often arose. Would it surprise you, though, to learn that her difficulties have inspired a lively, enjoyable book? With endearing candor and lucidity, this fine writer and teacher explores principles and practices that should help anyone who suffers, whether physically sick or well, and whether or not that person identifies as a Buddhist.

I have always respected Buddhism but felt distanced from its philosophical ideas and approaches to life and spirituality. In fact, there was much about it that I could not fully grasp. But Bernhard leads readers through easy-to-follow discussions and illustrations of practices such as mudita—taking joy in the joy of others—that not only offer liberation from resentment, loneliness and suffering but, in and of themselves, are just delicious. I suddenly realized that I've been practicing mudita and metta most of my adult life: It has always felt wonderful to enjoy the happiness of others and to sincerely wish them well. The trick is to extend this to all sentient beings and, trickiest of all, to remember to offer this loving gift to oneself. Bernhard shares what has worked for her.

Bernhard's experience reminds us of the preciousness of vulnerability, the impermanence of all that is, the value of the present moment, and the importance of releasing one's anxious tendency to grasp and desperately quest for answers that may never come. She admits that her life with chronic illness is a work in progress. Well, every life is a work in progress, and it is a fine thing to have allies and guides along the path. I am happy to have met Toni Bernhard through her generous teachings in this book and, in gratitude, I wish her peace and freedom.

How to Be Sick: A Buddhist-Inspired Guide for the Chronically Ill and Their Caregivers by Toni Bernhard

Paperback, 185 pages
ISBN-13-978-086171-626-5
Coming September, 2010 from Wisdom Publications 

Also see What are you reading this summer?, posted on
InfiniteBody blog on June 29, 2010.

Monday, September 10, 2007

Oh, the serendipity of it all!

The beauty part about blogs is that you're allowed to figure out what it is you're doing as you go along, and readers don't seem to mind. That lends itself well to what I hope to do in hummingwitch--a nonlinear, merrily winding pathway and multi-directional, multi-dimensional portal in which the matter of Spirit will often become clothed in everyday things. At least, that's what I'm sensing now.

Part of the blame for hummingwitch must go to a fellow named Hyperion who hosts a much-admired podcast called The Unnamed Path, that features his systematic teachings on shamanic spirituality for men-who-love-men (his term). I wrote to Hyperion and asked him if he knew of any similar--meaning specific content and high quality--podcasts for lesbians. He did not, but--as I anticipated!--he took the opportunity to encourage me to set up something of the kind.

I have worked in feminist and lesbian spirituality, but while Hyperion's suggestion is wonderful, I still feel--as I felt some time ago--that I am not drawn to restricting my work to any particular group of people. I'd like it to be available to anyone who discovers it and finds it interesting, just as I have found Hyperion's work interesting. As I listen to Hyperion's podcasts, I sense a call to get my own work out more widely in the form of this blog. I have a podcast devoted to dance, and perhaps someday, I'll find the time and focus to add one for hummingwitch.

In the meantime, please feel free to visit my main Web site and my dance blog InfiniteBody (where you'll also find my dance podcast, Body and Soul). I do feel that my interests in dance and in metaphysical spirituality overlap quite beautifully. Perhaps I'll have more to say about that another time.

Every blessing,
Eva (hummingwitch)